I’m no model lady. A model’s just an imitation of the real thing. ~ Mae West
Born Mary Jane “Mae” West on August 17, 1893, in Brooklyn, New York, Mae West hit her Hollywood stride in her late 30s, when she might have been considered in her “advanced years” for playing sexy harlots, but her persona and physical beauty overcame any doubt. The blunt sexuality of her films aroused the wrath and moral indignation of several groups, but this sexuality is what she is remembered for today.
Known for her bawdy double entendres, West made a name for herself in vaudeville and on the stage in New York City before moving to Hollywood to become a comedian, actress, and writer in the motion picture industry. For her contributions to American cinema, the American Film Institute named West 15th among the greatest female stars of classic American cinema.
One of the more controversial movie stars of her day, West encountered many problems, including censorship. When her cinematic career ended, she continued to perform in Las Vegas, in the United Kingdom, and on radio and television, and to record rock and roll albums. Asked about the various efforts to impede her career, West replied: “I believe in censorship. I made a fortune out of it.”
West was five when she first entertained a crowd at a church social, and she started appearing in amateur shows at the age of seven. She often won prizes at local talent contests. She began performing professionally in vaudeville in the Hal Clarendon Stock Company in 1907 at the age of 14. When work was slow, which it often was for many performers in Vaudeville, she would go on the burlesque circuit playing before a predominantly male working-class audience, where she thrived and honed her performance skills.
Her first appearance in a Broadway show was in a 1911 revue A La Broadway. The show folded after eight performances, but at age 18, West was singled out and discovered by the New York Times. She got her big break in 1918 in the Shubert Brothers revue Sometime. As more parts came her way, West began to shape her characters, often rewriting dialogue or character descriptions to better suit her persona. She eventually began writing her own plays. Continue reading